The ZKM and Centre Iannis Xenakis (CIX) are organizing a two-day artistic-scientific symposium to explore current approaches and contemporary trends in the field of graphic notation for parameter generation for musical compositions.
Artists as well as musicologists will resituate the »UPIC« in both an historical and cultural context and also discuss the state-of-the-art in the field of electroacoustic sonifications of graphic notations in lectures, a panel discussion and a concert. The symposium will also serve to prepare a book publication planned for 2019 at the ZKM in cooperation with the Centre Iannis Xenakis.
The »UPIC – Graphic Interfaces for Notation Conference« is organized in cooperation with Centre Iannis Xenakis (CIX) within the framework of the »Interfaces« project.
Program
Friday, September 28, 2018
Symposium Session I, Lecture Hall, 2 pm–6 pm
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2 pm |
Cyrille Delhaye »Composing by drawing with UPIC: landmarks, archives and traces of composers« |
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3 pm |
Alain Després »The 1980s: UPIC is less than ten years old« |
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4 pm |
Guy Médigue »The Early Days of UPIC« |
5 pm |
François-Bernard Mâche »UPIC upside down« |
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6 pm |
Break |
Concert I, Cube, 8 pm
Julian Scordato »Constellations« (2014), for graphic sequencers and electronics |
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Julian Scordato »Vision II« (2012), for graphic sequencers and electronics |
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Julian Scordato »Engi« (2017), for graphic sequencers and electronics |
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Julio Estrade »Eua'On« (1980), for UPIC (fixed media version) |
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Marcin Pietruszewski »/siv/« (2018) for synthetic voice and computer generated pluriphonic sound |
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François-Bernard Mâche »Tithon« (1989), fixed-media |
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Saturday, September 29, 2018
Symposium Session II, Lecture Hall, 10 am–1 pm10 am | Julian Scordato »Graphic scores from UPIC to IanniX« | |
11 am | Mark Pilkington »Current 9 – Audiovisual Composition« | |
12 pm | Chikashi Miyama »Developing software for the audiovisual interaction« | |
1 pm | Break |
Symposium Session III, Lecture Hall, 2 pm–6 pm
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2 pm |
Marcin Pietruszewski »Formalising from across multiple temporal scales« |
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2.30 pm |
Julio Estrada »The Listening Hand«, video presentation |
3.30 pm |
Rodolphe Bourotte & Sharon Kanach »UPISketch: Renewal of an Old Idea« |
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4.30 pm |
Panel-Discussion (Presentation: Ludger Brümmer) |
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6 pm |
Break |
Concert II, Cube, 8 pm
Chikashi Miyama »Piano Chimera« (2008), video |
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Chikashi Miyama »Strokes« (2018, UA), audiovisual performance |
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Chikashi Miyama »Modulations« (2013/2018), for interactive multimedia system |
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Mark Pilkington »Current 9« (2018), audiovisual performance |
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Mark Pilkington »Lamaload A/V« (2017), audiovisual composition (8 channels) |
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Wilfried Jentzsch »Paysages Y 757« (2014), fixed media |
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Alexej Wieber »Klanggewebe« (2018), live electronics |
Installations by Chikashi Miyama, Rodolphe Bourotte & Sharon Kanach
- Organization / Institution
- ZKM | Center for Art and Media and Centre Iannis Xenakis
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